Wipeout Gets a Remaster Collection for PS4, Not a Sequel Even though Wipeout's never featured the licensed track (that honor goes to the drug-infused film Trainspotting), it matches the electronic formula every step of the way.
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The full song is nearly ten minutes long. It begins dreamy, almost transcendent, before floating away into a repetitive beat endlessly. "Born Slippy," a track from British electronic group Underworld, encapsulates that music scene in one swoop.
As the years went on, there were Wipeout's core fans, with little to reach to beyond that initial dedicated base. Wipeout, from its mid-1990s releases to the late-2000s, were always games that proudly pulsed with the rhythm of warehouse-bound raves in 1990s Britain. Wipeout's nail in the coffin, according to Thompson, was likely the series' aversion to reinventing itself for a new generation, alienating its audience in the process. Earlier, in 2012, Sony shuttered Studio Liverpool unexpectedly. It's a time capsule," lead artist at Studio Liverpool (once known as Psygnosis) Neil Thompson told Eurogamer in 2014. The early games' marketing leaned heavily on the side of its cultural relevance, squaring on the music and scene around it that elevated it beyond just another racing game. Wipeout wasn't a game just about being the fastest, but destroying and inconveniencing your opponents along the way. It outfitted familiar Formula 1 cars into hover vehicles, and slapped guns on them for kicks. It had licensed electronic music and a slick neo-futuristic style. The game was unlike anything else at the time. Wipeout got its start in 1995 on Playstation and MS-DOS-running PCs (and later, Sega Saturn as well). And most importantly, the games are just as we remember them: fast as hell. It has a photo mode, because it's 2017 and every game on a modern console has a photo mode now. They run gloriously with no hitches or frame-rate dips on the modern console. The three have been spruced to a pristine 4K shine. The HD collection contains the three most recent games from the series: the Playstation 3 title Wipeout HD from 2008 (and the game's expansion HD Fury), alongside the once 2012 Playstation Vita title Wipeout 2048. Tomorrow, in the U.S., marks the release of the Wipeout Omega Collection on Playstation 4.
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Where the series envisioned a world built around a genre of music that's changed to the point of hardly recognizing it anymore, and has left its 1990s self in the dust. As time went on, Wipeout felt like it was less on the trendy path, and more like a relic of that long-lost era. Wipeout has always been a series that is synonymous with its electronic music, and how it perfectly captures its particular era of the British clubbing scene. Blazing through those neon-tinged loops, there was a singular constant: British club music thumping in the background-the likes of Prodigy, The Chemical Brothers, in-house composer CoLD SToRAGE. When I think of Wipeout, I'm transported to the almost-claustrophobic tubular tracks of 1996's Wipeout XL.
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